Work

Editing is a collaborative craft, and every piece here is the work of many hands. Behind each cut are producers, writers, visual artists, cinematographers, and audio engineers who brought their best to the table. I'm grateful to have been one part of that larger system, shaping their work into the stories you see here.

NFL Combine — Microsoft Customer Evidence Studio

Originated this edit for the Customer Evidence Studio, establishing the story structure and pacing while coordinating VFX across multiple teams.

Unboxing: Xbox Elite Wireless Controller Series 2 — Xbox / Microsoft Production Studios

Editor and colorist on this product reveal. A chance to push the creative a little further and let the hardware be the star.

Lerøy Seafood — Microsoft Customer Evidence Studio

Editor and colorist on one of my favorite Customer Evidence stories. Beautifully shot footage that deserved an edit to match.

Coca-Cola — Microsoft Customer Evidence Studio

One of the more intense edits of my time at CES: the story of Coca-Cola's AI-generated Santa Claus, built on Microsoft Azure. I edited while coordinating CGI, color, and audio mix across multiple agencies.

Mercedes-Benz — Microsoft Customer Evidence Studio

My first edit for the Customer Evidence Studio: high-end driving footage cut into the kind of customer story that would define my work there. Editor and colorist.

The Evolution of Xbox Backward Compatibility — Xbox / Microsoft Production Studios

Editor and colorist on a piece that tried some new approaches. Shot on location, with a look and rhythm to match.

Designing the Cyberpunk 2077 Limited Edition Xbox — Xbox / Microsoft Production Studios

An inside look at the design process behind the limited edition console. Editor and colorist.

Unboxing: Xbox One S Fortnite Battle Royale Special Edition — Xbox / Microsoft Production Studios

One of a series of unboxing videos I cut for Xbox, shot on set at Microsoft Production Studios. This one's pacing is a personal favorite. Editor and colorist.

Black Road — JOMA Films

Editor of this independent feature film. The trailer shown here is a window into it. Proud of what a small team created with limited resources and a lot of resolve.

Panasonic Lumix GX80/GX85: Shooting Impressions

One of my first documentary-style edits, cut from footage shot on location in New Orleans. Editor and colorist.

Microsoft AI Stories Montage — Microsoft Customer Evidence Studio

A massive project on an unforgiving deadline: I led a team of three editors working simultaneously in a shared Premiere Team Project. A technically complicated dance that came together on time.

Newman's Own — Microsoft Customer Evidence Studio

Editor and colorist on this short customer story. Proof that a good narrative doesn't need much runtime, just the right moments in the right order.
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